| 28 | Is the human initial preference for rounded shapes universal? Preliminary results of an ongoing cross-cultural research
G Gómez-Puerto, E Munar, C Acedo, A Gomila |
| 29 | In search of Gestalt. Detectability of objects within cubist artworks enhances appreciation.
C Muth, R Pepperell, C-C Carbon |
| 30 | Image and Image. An Investigation into Intericonic Processes.
C Reymond |
| 31 | Who is the best Gioconda of them all? On the relativity of artistic quality caused by prior visual elaboration
V Hesslinger, C-C Carbon |
| 32 | Effects of music on visual art: an eye movement study
A Koning, R van Lier |
| 33 | Appreciation of afterimages in contemporary art: an eye movement study
R van Lier, U Guclu, A Koning |
| 34 | Aesthetic evaluation of abstract symmetric patterns with broken symmetries
A Gartus, H Leder |
| 35 | Enhancing aesthetic pleasure for paintings with computer controlled LED illumination
R Stanikunas, A Tuzikas, R Vaicekauskas, A Petrulis |
| 36 | Looking at images with an aesthetic orientation: What’s special about it?
M Nadal, M Forster, M Paul, H Leder |
| 37 | Empirical aesthetics from a haptic perspective: A functional model for haptic aesthetic processing
C-C Carbon, M Jakesch |
| 38 | Changes of statistical image properties during the creation of graphic artworks
C Redies |
| 39 | Depth Structure Invariance in Mirror Reversed Paintings
J Wagemans, D Gielen, A van Doorn, J Koenderink |
| 40 | Do first impressions count? – Influences on the perception of ambiguous pictures
S Utz, C-C Carbon |
| 41 | Beauty in abstract paintings: Adaptation effects and statistical properties
B Mallon, C Redies, G Hayn-Leichsenring |
| 42 | Subjective and Objective Measures of Drawing Accuracy and their Relationship to Perceptual Abilities
R Chamberlain, C McManus |
| 43 | Visual perception in virtual museums and galleries
I Varhaníková |